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"She don't care about books or school. No, she just wants to rock and roll. Baby, she's no fool. You're so cool" - Will Hoge
"You choose a path in life, and when you do, sprint. Don't stroll down it." - Kevin Lyman

Showing posts with label january. Show all posts
Showing posts with label january. Show all posts

Sunday, January 18, 2015

Linkin Park The Hunting Party Tour Nashville, TN 1/17/15

Getting to photograph your favorite band is always a privilege. The fact that I have been able to do so for several of my bands makes me so happy. In November, when I was making my annual Christmas list, I found out Linkin Park was doing a winter tour. Thanks, Santa! So, with my ticket in hand, I was off to Nashville to shoot my favorite band.

Of Mice & Men was the first band of the evening. They always bring it live, regardless of whether they are headlining or opening. I always admire that about bands. They played

Feels Like Forever
Bones Exposed
Would You Still Be There
Another You
Identity Disorder
The Depths
You're Not Alone

Rise Against is also amazing. I wish I could follow them around on tour for a few days and just take pictures. The played

Ready to Fall
Give It All
Re-Education (Through Labor)
Behind Closed Doors
The Good Left Undone
Help Is on the Way
Chamber the Cartridge
Tragedy + Time
Prayer of the Refugee
Swing Life Away 
I Don't Want to Be Here Anymore
Satellite
Savior

I was so excited for Linkin Park. I have been following them since 2007. I was 11 years old. I hoped and prayed that I would finally hear my favorite song: Place For My Head. I had no idea the treat that I was about have with this show. They played

Mashup Intro #2 (w/ Session, 1stp Klosr, The Requiem, The Summoning, The Catalyst)
Guilty All the Same
Given Up
From the Inside
One Step Closer
Blackout (Shortened (Intro and Partial Outro Instrumental Only)
Papercut (Shortened (No Second Verse or Second Chorus)
Runaway (Shortened (Intro/First Verse/Chorus Only)
Wastelands
Castle of Glass (Experience Version; Wisdom Justice And Love Bridge; The Radiance Outro)
Leave Out All the Rest / Shadow of the Day / Iridescent (w/ Aaron Pauley from Of Mice & Men)
Robot Boy
Joe Hahn Solo (w/ Wretches And Kings, Victimized Remix, Buy Myself, Cure For The Itch, Session, Plc.4 Mie Hæd)
Numb (Numb/Encore Outro)
Waiting for the End (Apaches Intro w/ Until It Breaks Verse 2)
Final Masquerade
Wretches and Kings / Remember the Name / Skin to Bone
Dirt Off Your Shoulder / Lying From You
In the End
A Place for My Head (FINALLY. FINALLY. FINALLY!!!)
Faint (With Austin Carlile from Of Mice & Men)

Encore:

Burn It Down (No Second Verse or Second Chorus)
Lost in the Echo (Intro/First Verse/First Chorus/Outro Only)
New Divide (Shortened, No First Chorus or Second Verse)
What I've Done
Bleed It Out

I FINALLY got to hear Place For My Head. Oh my God. Thank you, Linkin Park. Thank you. Thank you. Thank you.

Wait a minute, did Chester hurt himself tonight...?













































Tuesday, January 13, 2015

Interview with Austin Carlile and Chester Bennington

I had the opportunity to be a part of a teleconference for The Hunting Party tour that is currently traveling around the world with Linkin Park, Rise Against and Of Mice & Men. During the call, I was able to ask a question to Austin Carlile from Of Mice & Men and Chester Bennington from Linkin Park chimed in as well. So, technically, I have semi-interviewed Chester Bennington. So here it is. Enjoy!

Operator: Our next question will come from Kinsey Haynes from WVUA-FM.

Kinsey Haynes:  My question is for Austin. I know someone touched on this earlier, but I want to know, what it's actually like touring with Linkin Park since they are one of your favorite bands.

Austin Carlile:  What is it like touring with Linkin Park? Wow! Super awesome. It's great.

Chester Bennington(overlapping) The most fun ever.

Austin Carlile:  Yeah. It's the most fun ever. We have a coffee meeting and there's a yoga room. No. It's great; it's cool to see it on both sides of it. It's cool to see it from a business aspect. Like Chester was talking about earlier and talking about, you know, bands taking control of their own bands and then, you know, people that work for them being employees for the bands, the management. And it's cool seeing the business side of it, just as well as the production side of it. And, you know, we get to the venues at, you know, 9:00AM, 10:00AM every  morning and we wake up, walk in, half dressed, half asleep, tired day at the studio, or at the venue, that Linkin Park comes in. You know, they're not there for sound check, a few hours before they play the show; they're rock stars. They come in and go, "Oh, we want to do that." We want to be able to come in and we want to get to a point where we can not have to set up the venue for literally 13 hours all day wondering what we're going to do, trying to figure out what to do in the middle of nowhere. And it inspires us, and it makes us want to work harder and it makes us want to work and create and become artists that can support themselves, like Linkin Park does. And, you know, we were going out and playing in Germany and even played 12 shows in Germany on our last tour and every night, just thousands of people singing and screaming, and it's unbelievable to me and it's something that we want to set our sights to to do as a band. And we see Linkin Park as a band like ourselves. And just like Chester was saying, with each of his albums, he feels like he's in a different band and feels like their songs change. That's what we do as  band and, you know, I think we're constantly evolving our sound and constantly evolving who we are as a band and who we want to be as a band, because at the end of the day, you know, I don't think with any kind of music you never really know, because it's always changing and you're always creating as a musician. And just the fact to be able to take notes and to be on tour with a bunch of really awesome guys; it's a blessing and it's a great experience. It's something I'll definitely never forget.


Chester BenningtonYou know, it's interesting because in the same way, touring with Of Mice and Men, it's inspiring to me because here are these guys, like you said, they're at the venue 13 hours a day, you know? They're trying to figure out how to wash their clothes, to figure out what to do. They're around each other all the time. They also have lots of decisions to make. You know, these guys play something like fucking eight shows in a row, and I was like, "Dude, you're going to destroy yourselves. Please. Thank you." And, like, it's funny, because, like, a lot of bands would think their managers and a tour schedule and it says here eight shows in a row. You're like, "Okay. Let's hit the road." Like, it can kind of seem like you're working for somebody. It's important to know, like, you know, you don't have to do that. You can actually, like, put a limit on that stuff so that you don't have to wear yourself out. And you've got to think long term. And these are the things that, like, you know, I look and I go, "Wow! These guys actually are like really prepared to play eight shows in a row." Like, that is bad ass. I don't care who the fuck you are. That's insane, and especially the shows these guys do. It's not, like, you know, you're walking out, you know, whisper singing and folk songs for 30 minutes. It's, like, these guys are putting it out there. And so, it's inspiring. It's fun to be around a young band that loves playing music and will do anything, literally anything to do it and show up every day with a smile on their face and go out every night and crush it and come up and play songs with us when they should be, like, not playing music anymore; like, resting or whatever else they want to do. It's fun, you know? It's fun to be around guys that are so hungry, because it makes me want - I want our crowd to love these guys so that they go play arenas. I want these guys to go play arenas; I want them to play stadiums; I want them to have the same success that we have, because it's fun to watch them play. it's fun to see somebody want it so bad. And it's inspiring to me, you know? And it makes me go, "That's what I do this for." I love seeing bands that make me want to be in a band, you know? It's fun; it's fun to go out on the road with young people that when I watch them go, "John, I want to be in a band." And then I go, "Yes, I'm in one." And it's like "Woo hoo," you know? It gets me pumped up, you know? And that's what beautiful about music. It's, like, I love my life. Mike and I were laughing today, like, my girls were like running through the house just, like, literally screaming their brains out and I'm going, "Get it out. Get it out. Come on," you know? And everyone in the house, like, there were people who may not be used to seeing that, you know? It's just kind of funny, because this is the kind of, like, you know, living this lifestyle where you're around creative people and you're allowed to express yourself and it's fun to, you know, be creative and be different and it's a blessing. Like, every moment that we live is a blessing. It's fun to see that transcend into younger generations. It's fun to see my kids grow up in a home where they can, you know, express themselves and it's fun to be able to, you know, see all these things happening, not only from within our own band, but within, you know, other bands that we tour with and, you know, it truly is a blessed life that we live, you know, being musicians.

Sunday, January 19, 2014

AFI Center Stage Atlanta, GA 1/18/14

When AFI comes to the southeast, it is always time for a road trip for me and my mother. AFI tickets were most definitely a Christmas present for me. I think that is the perfect gift ever.

This show happened to fall the day after I saw Against Me! in Birmingham, so hooray for a punk rock weekend! After a minor traffic delay and a pit stop at our favorite restaurant, The Flying Biscuit, Mom and I arrived at Center Stage. One of the things I was looking most forward to at this show was the fact that it was sold out and that it was the first time I had seen AFI since 2010 (which is too long, if you ask me). To make the night better, I was on the barricade. YES

The first band of the night was called Coming. The second band was called Youth Code. Both bands were, to put it bluntly, not good. I am terribly sorry, but when the entire crowd is looking at each other with the "what the hell is this" look on their face, and you hear the people in the back booing, something is just horribly wrong. Coming was a terrifying attempt at spoken-word punk music, while Youth Code, was a horrific attempt at screamo-dubstep. I give them props for following their dreams, but because we were all waiting ever so patiently for AFI, the bands sounded worse. That is basically it for the negativity.

When the lights went down, the crowd was insane and the "through our bleeding, we are one" and "AFI AFI AFI" chants began. The band ran on stage and Davey stood on the drum riser and did one of the prettiest pike jumps I have ever seen (I cheered for 9.5 years. There are not many people who can do pikes like that.) I love the energy of the band. They jump around and fly through the air like graceful fairies. It is beautiful. They played

The Leaving Song Pt. II
Girl's Not Grey
I Hope You Suffer
File 13 (WHAT!!! WE ARE HEARING SOMETHING FROM VERY PROUD OF YA?!?!?!? WHAT? CUE CROWD FREAKOUT)
Love Like Winter
Ever And A Day
17 Crimes
The Interview (OMG!!! CROWD FREAKOUT!!! DECEMBERUNDERGROUND)
Kill Caustic
The Leaving Song (Hunter and Adam left the stage.)
Heart Stops
Miss Murder
The Days Of The Phoenix
God Called In Sick Today

Encore:

Just Like Heaven (The Cure cover)
Dancing Through Sunday (Yay!)
Silver And Cold

This show definitely rivals my first AFI show, which I thought was the best until now. One thing I noticed was the absence of Crash Love songs, which pissed off the "uber fan" next to me who thought AFI was still promoting Crash Love. No, sweetheart, they are promoting Burials. Uber fan? No.

Check out AFI's new album Burials, available now!